E00000026

Moral Entropy

Fig. I — Specimen ◦ ME—002 ◦ Detail
Moral Entropy — album art
Plate ME—002 ◦ Hermit Flemish sch. c.17th

Moral Entropy — ME—002 — 012 entries — Headwords follow catalog sequence ◦ Phonetic transcriptions in IPA ◦ Etymological sources given where applicable ◦ cf. = confer (compare) ◦ syn. = synonyms

ME—TR.001

Threnody

/ˈθrɛn.ə.di/

n.

1. A mournful song, hymn, or poem composed to commemorate and lament the dead; a funeral song.

2. Any expression that functions as a formal act of grief; lamentation elevated to artistic form.

ETYM. Late 16th c. — from Gk. thrēnōidia (θρηνῳδία): thrēnos "wailing, dirge" + ōidē "song, ode." → L. threnodia → Eng. threnody. Earliest documented Eng. use attrib. to c.1603.

syn. ◦ dirge ◦ elegy ◦ keen ◦ requiem ◦ epicedium

◦ ME—TR.001 / Catalog: Moral Entropy

ME—HA.002

Halation

/həˈleɪ.ʃən/

n.

1. The spreading of light beyond its proper boundary in a photographic image; a blurred halo around highlights caused by internal reflections within the film emulsion.

2. Optics. A lens or sensor aberration in which bright sources bleed outward, creating an aura of misdirected luminance beyond the object.

ETYM. From L. halos (fr. Gk. ἅλως): "disk of the sun or moon; halo" + -ation (suffix of action or process). First photographic usage documented c.1859.

cf. ◦ bloom ◦ chromatic aberration ◦ lens flare ◦ phosphene

◦ ME—HA.002 / Catalog: Moral Entropy

ME—PH.003

Phosphene

/ˈfɒs.fiːn/

n.

1. A luminous impression — rings, spots, or waves of color — caused by excitation of the retina through means other than light: mechanical pressure, electrical stimulation, or certain compounds.

2. Any perception of light arising in the complete absence of external illumination; endogenous light.

ETYM. From Gk. phōs "light" (gen. phōtos) + phainein "to show, bring to light." Scientific coinage c.1838. Closed-eye phosphenes are also designated closed-eye hallucinations (CEHs).

cf. ◦ entoptic phenomenon ◦ halation ◦ scotoma ◦ subjective visual phenomena

◦ ME—PH.003 / Catalog: Moral Entropy

ME—RD.004

Raison d'être

/ˌreɪ.zɒ̃ ˈdɛtʁ/

n. phrase

1. The most important reason or purpose for someone's existence; the primary justification for being.

2. A defining purpose that provides meaning beyond survival or function; the why beneath the what.

ETYM. French, lit. "reason for being." From raison (← L. ratio "calculation, reason") + d'être (de + être ← L. esse, "to be"). In wide English use from the late 19th century.
Finn's song.

cf. ◦ telos ◦ vocation ◦ calling ◦ existential foundation

◦ ME—RD.004 / Catalog: Moral Entropy

ME—WB.005

Wealthy Beyond Measure

phrase

Though I may not possess the material possessions the flawed human I am desires, I am wealthy beyond measure because of the gifts I have been given. My family.

Ellis's song.

◦ ME—WB.005 / Catalog: Moral Entropy

ME—CW.006

Cold Water

phrase

Plain speech. No further annotation.

NOTE. Began writing in 2021.

◦ ME—CW.006 / Catalog: Moral Entropy

ME—AN.007

Anneal

/əˈniːl/

v. transitive

1. To heat metal or glass to a specific temperature and allow it to cool slowly, relieving internal stresses and increasing ductility. Cf. quenching (rapid cooling), which produces hardness but brittleness.

2. To toughen or strengthen through the disciplined application of heat and gradual release; to harden through the measured experience of trial.

ETYM. Old English onælan: on- (intensive prefix) + ælan "to kindle, burn, bake." Cognate with Old Norse eldr "fire." The controlled destruction precedes the strengthening.

cf. ◦ temper ◦ quench ◦ forge ◦ calcine

◦ ME—AN.007 / Catalog: Moral Entropy

ME—UU.008

Unforgiving, Unforgiven

/ˌʌn.fəˈɡɪv.ɪŋ/ ◦ /ˌʌn.fəˈɡɪv.ən/

adj. / adj.

Unforgiving. Making no allowance for error or human weakness; mercilessly demanding of precision or perfection.

Unforgiven. Not having received, been offered, or accepted forgiveness; bearing the full and unrelieved weight of transgression.

NOTE. Some things are senseless.

◦ ME—UU.008 / Catalog: Moral Entropy

ME—RF.009

Reaction Formation

/riˈæk.ʃən fɔːˈmeɪ.ʃən/

n.

An unconscious defense mechanism by which the ego converts an anxiety-producing impulse into its direct opposite, expressing the inversion in behavior or affect rather than the original feeling.

ETYM. The mechanism inverts an anxiety-producing impulse — love expressed as hatred, fear expressed as aggression, pride expressed as shame.

cf. ◦ sublimation ◦ repression ◦ displacement ◦ rationalization ◦ projection

◦ ME—RF.009 / Catalog: Moral Entropy

ME—MA.010

Magnetar

/ˈmæɡ.nɪ.tɑː/

n.

1. A neutron star distinguished by an extraordinarily powerful magnetic field — on the order of 10¹⁵ gauss, approximately 10¹³ times the magnetic field of Earth.

2. Song is dumb dumb heavy

ETYM. Portmanteau of magnet + star. Coined by astrophysicists Robert C. Duncan and Christopher Thompson, 1992. Estimated ~30 magnetars positively identified within the Milky Way as of 2024.

cf. ◦ neutron star ◦ pulsar ◦ white dwarf ◦ soft gamma repeater

Features Daniel Heptig on guitar and samples.

◦ ME—MA.010 / Catalog: Moral Entropy

ME—AI.011

Annihilationist

/əˌnaɪ.ɪˈleɪ.ʃə.nɪst/

n. / adj.

One who believes the ultimate end of the wicked is extinction — not perpetuation in suffering, not universal restoration, but the cessation of being.

ETYM. From L. annihilare: ad- "to" + nihilum "nothing" (nihil, nil) → annihilate + -ist (suffix of agent or adherent).

cf. ◦ conditional immortality ◦ eternal conscious torment

◦ ME—AI.011 / Catalog: Moral Entropy

ME—TJ.012

Tsujigiri

/tsuːdʒiˈɡɪri/

n.

The feudal Japanese practice of testing a newly acquired sword blade on an unsuspecting passerby; a trial of a weapon's quality performed on the innocent.

ETYM. Japanese 辻斬り — tsuji () "crossroads, intersection" + kiri / giri (斬り, fr. kiru 斬る) "cutting; to cut." The practice was legally prohibited under most feudal codes yet documented through the Edo period.

cf. ◦ iaijutsu ◦ tameshigiri ◦ (crossroads)

◦ ME—TJ.012 / Catalog: Moral Entropy

Tregg Frank — artist portrait, high-contrast black and white with motion blur

Tregg Frank — Seattle, WA ◦ Guitarist ◦ Songwriter ◦ Producer ◦ Self-titled is the second full-length catalog entry under the artist name Moral Entropy ◦ Written and recorded 2021–2026 ◦ All songs written, performed, and produced by Tregg Frank with additional guitars and samples on Magnetar by Daniel Heptig

On the record

This album is self-titled because it feels like it represents what I've always been aiming for with my music under the name Moral Entropy. Music that collides genres and sounds from many different, disparate influences, music that feels introspective and quiet, yet loud and brash.

Some of the songs on this album took 5 years to write. I believe the oldest is Cold Water. Its current form is very different from the original sketch I uploaded to my Soundcloud in 2021. The second half of that song was rewritten numerous times. It didn't take shape until near the end of compiling these songs.

Through the course of writing this album, I also wrote many songs that did not make the cut or did not match the feeling this album is trying to convey. Those songs may see the light of day, or they may sit on my hard drive forever.

Two of these songs are for my boys, one of them is for my wife and her family. I am grateful and blessed to have what I have in my life, and I want these sounds to be my legacy.

Credits

All songs written, performed, and produced by Tregg Frank. Additional guitars and samples on Magnetar by Daniel Heptig. Recorded in Denver, CO, Thornton, CO, and Seattle, WA.

Mixed and mastered in Ableton Live. Guitar tones are a mix of THALL, Archetype Gojira by Neural DSP, and II II II II. Drums are One Kit Wonder: The Downbeat by GGD.

Balaguer semi-custom 8 string woodman, ESP LTD EC-1000 Deluxe, Squier Jazzmaster Vintage Modified Baritone, and Squier Contemporary Active Jazz Bass V HH were used to record the stringed instruments.

8 String is tuned E A E A D G B E, kept in tune by Evertune.

Album art by Tregg Frank, a photo collage of The Hermit by Gerrit Dou, c. 1670, and Garland of Flowers with Adoration of the Shepherds by Frans Francken the Younger and Master HDB, c. 1625/1630. Thankful for beautiful art that is public domain.

For Finn, Ellis, and Naomi.